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A lathe ( axis of rotation.
Lathes are used in solids of revolution, plane surfaces and screw threads or helices. Ornamental lathes can produce three-dimensional solids of incredible complexity. The material can be held in place by either one or two centers, at least one of which can be moved horizontally to accommodate varying material lengths. Other work-holding methods include clamping the work about the axis of rotation using a chuck or collet, or to a faceplate, using clamps or dogs.
Examples of objects that can be produced on a lathe include candlestick holders, gun barrels, cue sticks, table legs, bowls, baseball bats, musical instruments (especially woodwind instruments), crankshafts, and camshafts.
The lathe is an ancient tool, dating at least to ancient Egypt and known and used in Assyria and ancient Greece.
The origin of turning dates to around 1300 BC when the Ancient Egyptians first developed a two-person lathe. One person would turn the wood work piece with a rope while the other used a sharp tool to cut shapes in the wood. Ancient Rome improved the Egyptian design with the addition of a turning bow. In the Middle Ages a pedal replaced hand-operated turning, freeing both the craftsman’s hands to hold the woodturning tools. The pedal was usually connected to a pole, often a straight-grained sapling. The system today is called the “spring pole” lathe. Spring pole lathes were in common use into the early 20th century.
During the Industrial Revolution, mechanized power generated by water wheels or steam engines was transmitted to the lathe via line shafting, allowing faster and easier work. Metalworking lathes evolved into heavier machines with thicker, more rigid parts. Between the late 19th and mid-20th centuries, individual electric motors at each lathe replaced line shafting as the power source. Beginning in the 1950s, servomechanism were applied to the control of lathes and other machine tools via numerical control, which often was coupled with computers to yield computerized numerical control. Today manually controlled and CNC lathes coexist in the manufacturing industries.
A lathe may or may not have a stand (or legs), which sits on the floor and elevates the lathe bed to a working height. Some lathes are small and sit on a workbench or table, and do not have a stand.
Almost all lathes have a bed, which is (almost always) a horizontal beam (although swarf, or chips, falls free of the bed). Woodturning lathes specialized for turning large bowls often have no bed or tail stock, merely a free-standing headstock and a cantilevered tool rest.
At one end of the bed (almost always the left, as the operator faces the lathe) is a headstock. The headstock contains high-precision spinning bearings. Rotating within the bearings is a horizontal axle, with an axis parallel to the bed, called the Morse taper on the “inboard” (i.e., facing to the right / towards the bed) by which work-holding accessories may be mounted to the spindle. Spindles may also have exterior threads and/or an interior taper at their “outboard” (i.e., facing away from the bed) end, and/or may have a hand-wheel or other accessory mechanism on their outboard end. Spindles are powered, and impart motion to the workpiece.
The spindle is driven, either by foot power from a treadle and flywheel or by a belt or gear drive to a power source. In most modern lathes this power source is an integral electric motor, often either in the headstock, to the left of the headstock, or beneath the headstock, concealed in the stand.
In addition to the spindle and its bearings, the headstock often contains parts to convert the motor speed into various spindle speeds. Various types of speed-changing mechanism achieve this, from a cone pulley or step pulley, to a cone pulley with back gear (which is essentially a low range, similar in net effect to the two-speed rear of a truck), to an entire gear train similar to that of a manual-shift auto transmission. Some motors have electronic rheostat-type speed controls, which obviates cone pulleys or gears.
The counterpoint to the headstock is the tailstock, sometimes referred to as the loose head, as it can be positioned at any convenient point on the bed, by undoing a locking nut, sliding it to the required area, and then re-locking it. The tail-stock contains a barrel which does not rotate, but can slide in and out parallel to the axis of the bed, and directly in line with the headstock spindle. The barrel is hollow, and usually contains a taper to facilitate the gripping of various type of tooling. Its most common uses are to hold a hardened steel center, which is used to support long thin shafts while turning, or to hold drill bits for drilling axial holes in the work piece. Many other uses are possible.
Metalworking lathes have a carriage (comprising a saddle and apron) topped with a cross-slide, which is a flat piece that sits crosswise on the bed, and can be cranked at right angles to the bed. Sitting atop the cross slide is usually another slide called a compound rest, which provides 2 additional axes of motion, rotary and linear. Atop that sits a toolpost, which holds a leadscrew, which moves the cross-slide along the bed.
Woodturning and metal spinning lathes do not have cross-slides, but rather have banjos, which are flat pieces that sit crosswise on the bed. The position of a banjo is a tool-post, at the top of which is a horizontal toolrest. In woodturning, hand tools are braced against the tool rest and levered into the workpiece. In metal spinning, the further pin ascends vertically from the tool rest, and serves as a fulcrum against which tools may be levered into the workpiece.
Unless a workpiece has a taper machined onto it which perfectly matches the internal taper in the spindle, or has threads which perfectly match the external threads on the spindle (two conditions which rarely exist), an accessory must be used to mount a workpiece to the spindle.
A workpiece may be bolted or screwed to a faceplate dogs may be used to secure the work to the faceplate.
A workpiece may be mounted on a mandrel, or circular work clamped in a three- or four-jaw chuck. For irregular shaped workpieces it is usual to use a four jaw (independent moving jaws) chuck. These holding devices mount directly to the Lathe headstock spindle.
In precision work, and in some classes of repetition work, cylindrical workpieces are usually held in a collet inserted into the spindle and secured either by a draw-bar, or by a collet closing cap on the spindle. Suitable collets may also be used to mount square or hexagonal workpieces. In precision toolmaking work such collets are usually of the draw-in variety, where, as the collet is tightened, the workpiece moves slightly back into the headstock, whereas for most repetition work the dead length variety is preferred, as this ensures that the position of the workpiece does not move as the collet is tightened.
A soft workpiece (wooden) may be pinched between centers by using a spur drive at the headstock, which bites into the wood and imparts torque to it.
A soft dead center is used in the headstock spindle as the work rotates with the centre. Because the centre is soft it can be trued in place before use. The included angle is 60°. Traditionally, a hard 
In woodturning, one variation of a live center is a cup center, which is a cone of metal surrounded by an annular ring of metal that decreases the chances of the workpiece splitting.
A circular metal plate with even spaced holes around the periphery, mounted to the spindle, is called an “index plate”. It can be used to rotate the spindle to a precise angle, then lock it in place, facilitating repeated auxiliary operations done to the workpiece.
Other accessories, including items such as taper turning attachments, knurling tools, vertical slides, fixed and traveling steadies, etc., increase the versatility of a lathe and the range of work it may perform.
 Modes of use
When a workpiece is fixed between the headstock and the tail-stock, it is said to be “between centers”. When a workpiece is supported at both ends, it is more stable, and more force may be applied to the workpiece, via tools, at a right angle to the axis of rotation, without fear that the workpiece may break loose.
When a workpiece is fixed only to the spindle at the headstock end, the work is said to be “face work”. When a workpiece is supported in this manner, less force may be applied to the workpiece, via tools, at a right angle to the axis of rotation, lest the workpiece rip free. Thus, most work must be done axially, towards the headstock, or at right angles, but gently.
When a workpiece is mounted with a certain axis of rotation, worked, then remounted with a new axis of rotation, this is referred to as “eccentric turning” or “multi-axis turning”. The result is that various cross sections of the workpiece are rotationally symmetric, but the workpiece as a whole is not rotationally symmetric. This technique is used for camshafts, various types of chair legs.
The smallest lathes are “jewelers lathes” or “watchmaker lathes”, which are small enough that they may be held in one hand. The workpieces machined on a jeweler’s lathe are metal. Jeweler’s lathes can be used with hand-held “graver” tools or with compound rests that attach to the lathe bed. Graver tools are generally supported by a T-rest, not fixed to a cross slide or compound rest. The work is usually held in a collet. Common spindle bore sizes are 6 mm, 8 mm and 10 mm. The term W/W refers to the Webster/Whitcomb collet and lathe, invented by the American Watch Tool Company of Waltham, Massachusetts. Most lathes commonly referred to as watchmakers lathes are of this design. In 1909, the American Watch Tool company introduced the Magnus type collet (a 10-mm body size collet) using a lathe of the same basic design, the Webster/Whitcomb Magnus. (F.W.Derbyshire, Inc. retains the trade names Webster/Whitcomb and Magnus and still produces these collets.) Two bed patterns are common: the WW (Webster Whitcomb) bed, a truncated triangular prism (found only on 8 and 10 mm watchmakers’ lathes); and the continental D-style bar bed (used on both 6 mm and 8 mm lathes by firms such as Lorch and Star). Other bed designs have been used, such a triangular prism on some Boley 6.5 mm lathes, and a V-edged bed on IME’s 8 mm lathes.
Smaller metalworking lathes that are larger than jewelers’ lathes and can sit on a bench or table, but offer such features as tool holders and a screw-cutting gear train are called hobby lathes, and larger versions, “bench lathes”. Even larger lathes offering similar features for producing or modifying individual parts are called “engine lathes”. Lathes of these types do not have additional integral features for repetitive production, but rather are used for individual part production or modification as the primary role.
Lathes of this size that are designed for mass manufacture, but not offering the versatile screw-cutting capabilities of the engine or bench lathe, are referred to as “second operation” lathes.
Lathes with a very large spindle bore and a chuck on both ends of the spindle are called “oil field lathes”.
Fully automatic mechanical lathes, employing cams and gear trains for controlled movement, are called screw machines.
Lathes that are controlled by a computer are CNC lathes.
Lathes with the spindle mounted in a vertical configuration, instead of horizontal configuration, are called vertical lathes or vertical boring machines. They are used where very large diameters must be turned, and the workpiece (comparatively) is not very long.
A lathe with a cylindrical tail-stock that can rotate around a vertical axis, so as to present different tools towards the headstock (and the workpiece) are turret lathes.
A lathe equipped with indexing plates, profile cutters, spiral or helical guides, etc., so as to enable ornamental turning is an ornamental lathe.
Various combinations are possible: for example, a vertical lathe have CNC as well (such as a CNC VTL).
Lathes can be combined with other machine tools, such as a combination lathes.
The longest lathe in ASIA is located at the KCP Limited at Thiruvottiyur,Chennai which measures 100feet long
 Major categories
 Woodworking lathes
Woodworking lathes are the oldest variety. All other varieties are descended from these simple lathes. An adjustable horizontal metal rail – the tool rest – between the material and the operator accommodates the positioning of shaping tools, which are usually hand-held. With wood, it is common practice to press and slide sandpaper against the still-spinning object after shaping to smooth the surface made with the metal shaping tools.
There are also woodworking lathes for making bowls and plates, which have no horizontal metal rail, as the bowl or plate needs only to be held by one side from a metal face plate. Without this rail, there is very little restriction to the width of the piece being turned. Further detail can be found on the woodturning page.
 Metalworking lathes
In a cutting tool, which is usually fixed to a solid moveable mounting, either a tool-post or a turret, which is then moved against the workpiece using handwheels and/or computer controlled motors. These (cutting) tools come in a wide range of sizes and shapes depending upon their application. Some common styles are diamond, round, square and triangular.
The tool-post is operated by lead-screws that can accurately position the tool in a variety of planes. The tool-post may be driven manually or automatically to produce the roughing and finishing cuts required to turn the workpiece to the desired shape and dimensions, or for cutting threads, worm gears, etc. Cutting fluid may also be pumped to the cutting site to provide cooling, lubrication and clearing of swarf from the workpiece. Some lathes may be operated under control of a computer for mass production of parts (see “Computer Numerical Control“).
Manually controlled metalworking lathes are commonly provided with a variable ratio gear train to drive the main lead-screw. This enables different thread pitches to be cut. On some older lathes or more affordable new lathes, the gear trains are changed by swapping gears with various numbers of teeth onto or off of the shafts, while more modern or expensive manually controlled lathes have a quick change box to provide commonly used ratios by the operation of a lever. CNC lathes use computers and servomechanisms to regulate the rates of movement.
On manually controlled lathes, the thread pitches that can be cut are, in some ways, determined by the pitch of the lead-screw: A lathe with a metric lead-screw will readily cut metric threads (including BA), while one with an imperial lead-screw will readily cut imperial unit based threads such as BSW or UTS (UNF,UNC). This limitation is not insurmountable, because a 127-tooth gear, called a transposing gear, is used to translate between metric and inch thread pitches. However, this is optional equipment that many lathe owners do not own. It is also a larger change-wheel than the others, and on some lathes may be larger than the change-wheel mounting banjo is capable of mounting.
The workpiece may be supported between a pair of points called chuck. A chuck has movable jaws that can grip the workpiece securely.
There are some effects on material properties when using a metalworking lathe. There are few chemical or physical effects, but there are many mechanical effects, which include residual stress, micro-cracks, work-hardening, and tempering in hardened materials.
 Cue lathes
Cue lathes function similar to turning and spinning lathes allowing for a perfectly radially-symmetrical cut for billiard cues. They can also be used to refinish cues that have been worn over the years.
 Glass-working lathes
Glass-working lathes are similar in design to other lathes, but differ markedly in how the workpiece is modified. Glass-working lathes slowly rotate a hollow glass vessel over a fixed or variable temperature flame. The source of the flame may be either hand-held, or mounted to a banjo/cross slide that can be moved along the lathe bed. The flame serves to soften the glass being worked, so that the glass in a specific area of the workpiece becomes ductile, and subject to forming either by inflation (“glassblowing“), or by deformation with a heat resistant tool. Such lathes usually have two head-stocks with chucks holding the work, arranged so that they both rotate together in unison. Air can be introduced through the headstock chuck spindle for glassblowing. The tools to deform the glass and tubes to blow (inflate) the glass are usually handheld.
In aspheric surfaces can be machined easily. Instead of the dovetailed ways used on the tool slide of a metal turning lathe, the ways typically float on air bearings and the position of the tool is measured by optical interferometry to achieve the necessary standard of precision for optical work. The finished work piece usually requires a small amount subsequent polishing by conventional techniques to achieve a finished surface suitably smooth for use in a lens, but the rough grinding time is significantly reduced for complex lenses.
 Metal spinning lathes
In metal spinning, a disk of sheet metal is held perpendicularly to the main axis of the lathe, and tools with polished tips (spoons) or roller tips are hand held, but levered by hand against fixed posts, to develop large amounts of torque/pressure that deform the spinning sheet of metal.
Metal spinning lathes are almost as simple as woodturning lathes (and, at this point, lathes being used for metal spinning almost always are woodworking lathes). Typically, metal spinning lathes require a user-supplied rotationally symmetric mandrel, usually made of wood, which serves as a template onto which the workpiece is molded (non-symmetric shapes can be done, but it is a very advanced technique). For example, if you want to make a vase, you need a solid template of a vase, etc.
Given the advent of high speed, high pressure, industrial die forming, metal spinning is less common now than it once was, but still a valuable technique for producing one-off prototypes or small batches where die forming would be uneconomical.
 Ornamental turning lathes
The chuck and elliptical chuck, solids of extraordinary complexity may be produced by various generative procedures.
A special purpose lathe, the Holtzapffel around the turn of the 19th century.
 Reducing lathe
Many types of lathes can be equipped with accessory components to allow them to reproduce an item: the original item is mounted on one spindle, the blank is mounted on another, and as both turn in synchronized manner, one end of an arm “reads” the original and the other end of the arm “carves” the duplicate.
A reducing lathe is a specialized lathe that is designed with this feature, and which incorporates a mechanism similar to a pantograph, so that when the “reading” end of the arm reads a detail that measures one inch (for example), the cutting end of the arm creates an analogous detail that is (for example) one quarter of an inch (a 4:1 reduction, although given appropriate machinery and appropriate settings, any reduction ratio is possible).
Reducing lathes are used in coin-making, where a plaster original (or an epoxy master made from the plaster original, or a copper shelled master made from the plaster original, etc.) is duplicated and reduced on the reducing lathe, generating a master die.
 Rotary lathes
A lathe in which softwood, like chipboard.
 Watchmaker’s lathes
Watchmakers lathes are delicate but precise metalworking lathes, usually without provision for horsehair, wrapped around it.
 Examples of lathes
Belt-driven metalworking lathe in the machine shop at Hagley Museum
 Examples of work produced from a lathe
 See also
 Further reading
- Raffan, Richard (2001). Turning Wood With Richard Raffan. Taunton. ISBN 1-56158-417-7.
- Holzapffel, Charles (1843-1897). Turning and Mechanical Manipulation Volume V.
- Sparey, Lawrence (1947). The Amateur’s Lathe. Special Interest Model Books. ISBN 0-85242-288-1.
- Marlow, Frank (2008). Machine Shop Essentials: Q & A. Metal Arts Press. ISBN 978-0-9759963-3-1.
- Woodbury, Robert S, (1961). History of the Lathe to 1850. Cleveland, Ohio: Society for the History of Technology. ISBN 978-0-262-73004-4.
|Wikimedia Commons has media related to: Lathes|
- Historical lathe archive
- Medieval and Renaissance lathes
- The history of the lathe
- Early Wood-Working
- Spring pole lathe
- On ye art and mystery of Turning
- Modern Machine Shop Practice a historic Victorian text describing lathe design, construction and use in 1880s.
- The South Bend Lathe Library Make Magazine, November 16, 2011. Links to How to Run a Lathe and other publications by South Bend Lathe Works.
- “The Forgotten Power Tool.” Popular Science, December 1959, pp. 149–152.